Saturday, March 10, 2012

Childhood (English Poet Series)

Childhood

by Richard Aldington

I

The bitterness. the misery, the wretchedness of childhood
Put me out of love with God.
I can't believe in God's goodness;
I can believe
In many avenging gods.
Most of all I believe
In gods of bitter dullness,
Cruel local gods
Who scared my childhood.

II

I've seen people put
A chrysalis in a match-box,
"To see," they told me, "what sort of moth would come."
But when it broke its shell
It slipped and stumbled and fell about its prison
And tried to climb to the light
For space to dry its wings.

That's how I was.
Somebody found my chrysalis
And shut it in a match-box.
My shrivelled wings were beaten,
Shed their colours in dusty scales
Before the box was opened
For the moth to fly.

III

I hate that town;
I hate the town I lived in when I was little;
I hate to think of it.
There were always clouds, smoke, rain
In that dingy little valley.
It rained; it always rained.
I think I never saw the sun until I was nine --
And then it was too late;
Everything's too late after the first seven years.

The long street we lived in
Was duller than a drain
And nearly as dingy.
There were the big College
And the pseudo-Gothic town-hall.
There were the sordid provincial shops --
The grocer's, and the shops for women,
The shop where I bought transfers,
And the piano and gramophone shop
Where I used to stand
Staring at the huge shiny pianos and at the pictures
Of a white dog looking into a gramophone.

How dull and greasy and grey and sordid it was!
On wet days -- it was always wet --
I used to kneel on a chair
And look at it from the window.

The dirty yellow trams
Dragged noisily along
With a clatter of wheels and bells
And a humming of wires overhead.
They threw up the filthy rain-water from the hollow lines
And then the water ran back
Full of brownish foam bubbles.

There was nothing else to see --
It was all so dull --
Except a few grey legs under shiny black umbrellas
Running along the grey shiny pavements;
Sometimes there was a wagon
Whose horses made a strange loud hollow sound
With their hoofs
Through the silent rain.

And there was a grey museum
Full of dead birds and dead insects and dead animals
And a few relics of the Romans -- dead also.
There was a sea-front,
A long asphalt walk with a bleak road beside it,
Three piers, a row of houses,
And a salt dirty smell from the little harbour.

I was like a moth --
Like one of those grey Emperor moths
Which flutter through the vines at Capri.
And that damned little town was my match-box,
Against whose sides I beat and beat
Until my wings were torn and faded, and dingy
As that damned little town.

IV

At school it was just as dull as that dull High Street.
The front was dull;
The High Street and the other street were dull --
And there was a public park, I remember,
And that was damned dull, too,
With its beds of geraniums no one was allowed to pick,
And its clipped lawns you weren't allowed to walk on,
And the gold-fish pond you mustn't paddle in,
And the gate made out of a whale's jaw-bones,
And the swings, which were for "Board-School children,"
And its gravel paths.

And on Sundays they rang the bells,
From Baptist and Evangelical and Catholic churches.
They had a Salvation Army.
I was taken to a High Church;
The parson's name was Mowbray,
"Which is a good name but he thinks too much of it --"
That's what I heard people say.

I took a little black book
To that cold, grey, damp, smelling church,
And I had to sit on a hard bench,
Wriggle off it to kneel down when they sang psalms
And wriggle off it to kneel down when they prayed,
And then there was nothing to do
Except to play trains with the hymn-books.

There was nothing to see,
Nothing to do,
Nothing to play with,
Except that in an empty room upstairs
There was a large tin box
Containing reproductions of the Magna Charta,
Of the Declaration of Independence
And of a letter from Raleigh after the Armada.
There were also several packets of stamps,
Yellow and blue Guatemala parrots,
Blue stags and red baboons and birds from Sarawak,
Indians and Men-of-war
From the United States,
And the green and red portraits
Of King Francobello
Of Italy.

V

I don't believe in God.
I do believe in avenging gods
Who plague us for sins we never sinned
But who avenge us.

That's why I'll never have a child,
Never shut up a chrysalis in a match-box
For the moth to spoil and crush its bright colours,
Beating its wings against the dingy prison-wall.

Friday, March 9, 2012

When Stretch'd on One's Bed (English Poet Series)

When Stretch'd on One's Bed

by Jane Austen

When stretch'd on one's bed
With a fierce-throbbing head,
Which preculdes alike thought or repose,
How little one cares
For the grandest affairs
That may busy the world as it goes!

How little one feels
For the waltzes and reels
Of our Dance-loving friends at a Ball!
How slight one's concern
To conjecture or learn
What their flounces or hearts may befall.

How little one minds
If a company dines
On the best that the Season affords!
How short is one's muse
O'er the Sauces and Stews,
Or the Guests, be they Beggars or Lords.

How little the Bells,
Ring they Peels, toll they Knells,
Can attract our attention or Ears!
The Bride may be married,
The Corse may be carried
And touch nor our hopes nor our fears.

Our own bodily pains
Ev'ry faculty chains;
We can feel on no subject besides.
Tis in health and in ease
We the power must seize
For our friends and our souls to provide.

Thursday, March 8, 2012

Growing Old (English Poet Series)

Growing Old

by Matthew Arnold


What is it to grow old?
Is it to lose the glory of the form,
The lustre of the eye?
Is it for beauty to forego her wreath?
Yes, but not for this alone.

Is it to feel our strength—
Not our bloom only, but our strength—decay?
Is it to feel each limb
Grow stiffer, every function less exact,
Each nerve more weakly strung?

Yes, this, and more! but not,
Ah, 'tis not what in youth we dreamed 'twould be!
'Tis not to have our life
Mellowed and softened as with sunset-glow,
A golden day's decline!

'Tis not to see the world
As from a height, with rapt prophetic eyes,
And heart profoundly stirred;
And weep, and feel the fulness of the past,
The years that are no more!

It is to spend long days
And not once feel that we were ever young.
It is to add, immured
In the hot prison of the present, month
To month with weary pain.

It is to suffer this,
And feel but half, and feebly, what we feel:
Deep in our hidden heart
Festers the dull remembrance of a change,
But no emotion—none.

It is—last stage of all—
When we are frozen up within, and quite
The phantom of ourselves,
To hear the world applaud the hollow ghost
Which blamed the living man.