Darkness
by Lord Byron
I had a dream, which was not all a dream.
The bright sun was extinguished, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chilled into a selfish prayer for light;
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consumed,
And men were gathered round their blazing homes
To look once more into each other's face;
Happy were those which dwelt within the eye
Of the volcanoes, and their mountain-torch;
A fearful hope was all the world contained;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguished with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them: some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smiled;
And others hurried to and fro, and fed
Their funeral piles with fuel, and looked up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnashed their teeth and howled; the wild birds shrieked,
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawled
And twined themselves among the multitude,
Hissing, but stingless—they were slain for food;
And War, which for a moment was no more,
Did glut himself again;—a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death,
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devoured,
Even dogs assailed their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famished men at bay,
Till hunger clung them, or the drooping dead
Lured their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answered not with a caress—he died.
The crowd was famished by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heaped a mass of holy things
For an unholy usage: they raked up,
And shivering scraped with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other's aspects—saw, and shrieked, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes, and ocean all stood still,
And nothing stirred within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal; as they dropped
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The Moon, their mistress, had expired before;
The winds were withered in the stagnant air,
And the clouds perished! Darkness had no need
Of aid from them—She was the Universe!
Showing posts with label death. Show all posts
Showing posts with label death. Show all posts
Friday, March 23, 2012
Sunday, March 11, 2012
A Dream (English Poet Series)
A Dream
by William Allingham
I heard the dogs howl in the moonlight night;
I went to the window to see the sight;
All the Dead that ever I knew
Going one by one and two by two.
On they pass'd, and on they pass'd;
Townsfellows all, from first to last;
Born in the moonlight of the lane,
Quench'd in the heavy shadow again.
Schoolmates, marching as when they play'd
At soldiers once - but now more staid;
Those were the strangest sight to me
Who were drown'd, I knew, in the awful sea.
Straight and handsome folk, bent and weak, too;
Some that I loved, and gasp'd to speak to;
Some but a day in their churchyard bed;
Some that I had not known were dead.
A long, long crowd - where each seem'd lonely,
Yet of them all there was one, one only,
Raised a head or look'd my way;
She linger'd a moment - she might not stay.
How long since I saw that fair pale face!
Ah! Mother dear! might I only place
My head on thy breast, a moment to rest,
While thy hand on my tearful cheek were prest!
On, on, a moving bridge they made
Across the moon-stream, from shade to shade,
Young and old, women and men;
Many long-forgot, but remembered then,
And first there came a bitter laughter;
A sound of tears a moment after;
And then a music so lofty and gay,
That eve morning, day by day,
I strive to recall it if I may.
by William Allingham
I heard the dogs howl in the moonlight night;
I went to the window to see the sight;
All the Dead that ever I knew
Going one by one and two by two.
On they pass'd, and on they pass'd;
Townsfellows all, from first to last;
Born in the moonlight of the lane,
Quench'd in the heavy shadow again.
Schoolmates, marching as when they play'd
At soldiers once - but now more staid;
Those were the strangest sight to me
Who were drown'd, I knew, in the awful sea.
Straight and handsome folk, bent and weak, too;
Some that I loved, and gasp'd to speak to;
Some but a day in their churchyard bed;
Some that I had not known were dead.
A long, long crowd - where each seem'd lonely,
Yet of them all there was one, one only,
Raised a head or look'd my way;
She linger'd a moment - she might not stay.
How long since I saw that fair pale face!
Ah! Mother dear! might I only place
My head on thy breast, a moment to rest,
While thy hand on my tearful cheek were prest!
On, on, a moving bridge they made
Across the moon-stream, from shade to shade,
Young and old, women and men;
Many long-forgot, but remembered then,
And first there came a bitter laughter;
A sound of tears a moment after;
And then a music so lofty and gay,
That eve morning, day by day,
I strive to recall it if I may.
Sunday, June 20, 2010
Solitude
Solitude
By Ella Wheeler Wilcox
Laugh, and the world laughs with you;
Weep, and you weep alone.
For the sad old earth must borrow it's mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.
Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life's gall.
Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a long and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.
By Ella Wheeler Wilcox
Laugh, and the world laughs with you;
Weep, and you weep alone.
For the sad old earth must borrow it's mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.
Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life's gall.
Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a long and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.
Wednesday, December 23, 2009
Poem of the Day - Do Not Go Gentle Into That Good Night
Do Not Go Gentle Into That Good Night
by Dylan Thomas
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on that sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
by Dylan Thomas
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on that sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Thursday, December 10, 2009
Poem of the Day - Tis the Last Rose of Summer
Tis the Last Rose of Summer
by Thomas Moore
'Tis the last rose of Summer,
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rosebud is nigh,
To reflect back her blushes,
Or give sigh for sigh!
I'll not leave thee, thou lone one,
To pine on the stem;
Since the lovely are sleeping,
Go sleep thou with them.
Thus kindly I scatter
Thy leaves o'er the bed
Where thy mates of the garden
Lie scentless and dead.
So soon may I follow,
When friendships decay,
And from Love's shining circle
The gems drop away!
When true hearts lie withered,
And fond ones are flown,
Oh! who would inhabit
This bleak world alone?
by Thomas Moore
'Tis the last rose of Summer,
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rosebud is nigh,
To reflect back her blushes,
Or give sigh for sigh!
I'll not leave thee, thou lone one,
To pine on the stem;
Since the lovely are sleeping,
Go sleep thou with them.
Thus kindly I scatter
Thy leaves o'er the bed
Where thy mates of the garden
Lie scentless and dead.
So soon may I follow,
When friendships decay,
And from Love's shining circle
The gems drop away!
When true hearts lie withered,
And fond ones are flown,
Oh! who would inhabit
This bleak world alone?
Saturday, December 5, 2009
Poem of the Day - Death of an Irishwoman
Death of an Irishwoman
by Michael Hartnett
Ignorant, in the sense
she ate monotonous food
and thought the world was flat,
and pagan, in the sense
she knew the things that moved
all night were neither dogs or cats
but hobgoblin and darkfaced men
she nevertheless had fierce pride.
But sentenced in the end
to eat thin diminishing porridge
in a stone-cold kitchen
she clenched her brittle hands
around a world
she could not understand.
I loved her from the day she died.
She was a summer dance at the crossroads.
She was a cardgame where a nose was broken.
She was a song that nobody sings.
She was a house ransacked by soldiers.
She was a language seldom spoken.
She was a child's purse, full of useless things.
More about Michael Hartnett.
by Michael Hartnett
Ignorant, in the sense
she ate monotonous food
and thought the world was flat,
and pagan, in the sense
she knew the things that moved
all night were neither dogs or cats
but hobgoblin and darkfaced men
she nevertheless had fierce pride.
But sentenced in the end
to eat thin diminishing porridge
in a stone-cold kitchen
she clenched her brittle hands
around a world
she could not understand.
I loved her from the day she died.
She was a summer dance at the crossroads.
She was a cardgame where a nose was broken.
She was a song that nobody sings.
She was a house ransacked by soldiers.
She was a language seldom spoken.
She was a child's purse, full of useless things.
More about Michael Hartnett.
Tuesday, December 1, 2009
Poem of the Day - Under Ben Bulben
Under Ben Bulben
by William Butler Yeats
Swear by what the sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.
Swear by those horsemen, by those women
Complexion and form prove superhuman,
That pale, long-visaged company
That air in immortality
Completeness of their passions won;
Now they ride the wintry dawn
Where Ben Bulben sets the scene.
Here's the gist of what they mean.
Many times man lives and dies
Between his two eternities,
That of race and that of soul,
And ancient Ireland knew it all.
Whether man die in his bed
Or the rifle knocks him dead,
A brief parting from those dear
Is the worst man has to fear.
Though grave-diggers' toil is long,
Sharp their spades, their muscles strong.
They but thrust their buried men
Back in the human mind again.
You that Mitchel's prayer have heard,
"Send war in our time, O Lord!'
Know that when all words are said
And a man is fighting mad,
Something drops from eyes long blind,
He completes his partial mind,
For an instant stands at ease,
Laughs aloud, his heart at peace.
Even the wisest man grows tense
With some sort of violence
Before he can accomplish fate,
Know his work or choose his mate.
Poet and sculptor, do the work,
Nor let the modish painter shirk
What his great forefathers did.
Bring the soul of man to God,
Make him fill the cradles right.
Measurement began our might:
Forms a stark Egyptian thought,
Forms that gentler phidias wrought.
Michael Angelo left a proof
On the Sistine Chapel roof,
Where but half-awakened Adam
Can disturb globe-trotting Madam
Till her bowels are in heat,
proof that there's a purpose set
Before the secret working mind:
Profane perfection of mankind.
Quattrocento put in paint
On backgrounds for a God or Saint
Gardens where a soul's at ease;
Where everything that meets the eye,
Flowers and grass and cloudless sky,
Resemble forms that are or seem
When sleepers wake and yet still dream.
And when it's vanished still declare,
With only bed and bedstead there,
That heavens had opened.
Gyres run on;
When that greater dream had gone
Calvert and Wilson, Blake and Claude,
Prepared a rest for the people of God,
Palmer's phrase, but after that
Confusion fell upon our thought.
Irish poets, earn your trade,
Sing whatever is well made,
Scorn the sort now growing up
All out of shape from toe to top,
Their unremembering hearts and heads
Base-born products of base beds.
Sing the peasantry, and then
Hard-riding country gentlemen,
The holiness of monks, and after
Porter-drinkers' randy laughter;
Sing the lords and ladies gay
That were beaten into the clay
Through seven heroic centuries;
Cast your mind on other days
That we in coming days may be
Still the indomitable Irishry.
Under bare Ben Bulben's head
In Drumcliff churchyard Yeats is laid.
An ancestor was rector there
Long years ago, a church stands near,
By the road an ancient cross.
No marble, no conventional phrase;
On limestone quarried near the spot
By his command these words are cut:
Cast a cold eye
On life, on death.
Horseman, pass by!
by William Butler Yeats
Swear by what the sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.
Swear by those horsemen, by those women
Complexion and form prove superhuman,
That pale, long-visaged company
That air in immortality
Completeness of their passions won;
Now they ride the wintry dawn
Where Ben Bulben sets the scene.
Here's the gist of what they mean.
Many times man lives and dies
Between his two eternities,
That of race and that of soul,
And ancient Ireland knew it all.
Whether man die in his bed
Or the rifle knocks him dead,
A brief parting from those dear
Is the worst man has to fear.
Though grave-diggers' toil is long,
Sharp their spades, their muscles strong.
They but thrust their buried men
Back in the human mind again.
You that Mitchel's prayer have heard,
"Send war in our time, O Lord!'
Know that when all words are said
And a man is fighting mad,
Something drops from eyes long blind,
He completes his partial mind,
For an instant stands at ease,
Laughs aloud, his heart at peace.
Even the wisest man grows tense
With some sort of violence
Before he can accomplish fate,
Know his work or choose his mate.
Poet and sculptor, do the work,
Nor let the modish painter shirk
What his great forefathers did.
Bring the soul of man to God,
Make him fill the cradles right.
Measurement began our might:
Forms a stark Egyptian thought,
Forms that gentler phidias wrought.
Michael Angelo left a proof
On the Sistine Chapel roof,
Where but half-awakened Adam
Can disturb globe-trotting Madam
Till her bowels are in heat,
proof that there's a purpose set
Before the secret working mind:
Profane perfection of mankind.
Quattrocento put in paint
On backgrounds for a God or Saint
Gardens where a soul's at ease;
Where everything that meets the eye,
Flowers and grass and cloudless sky,
Resemble forms that are or seem
When sleepers wake and yet still dream.
And when it's vanished still declare,
With only bed and bedstead there,
That heavens had opened.
Gyres run on;
When that greater dream had gone
Calvert and Wilson, Blake and Claude,
Prepared a rest for the people of God,
Palmer's phrase, but after that
Confusion fell upon our thought.
Irish poets, earn your trade,
Sing whatever is well made,
Scorn the sort now growing up
All out of shape from toe to top,
Their unremembering hearts and heads
Base-born products of base beds.
Sing the peasantry, and then
Hard-riding country gentlemen,
The holiness of monks, and after
Porter-drinkers' randy laughter;
Sing the lords and ladies gay
That were beaten into the clay
Through seven heroic centuries;
Cast your mind on other days
That we in coming days may be
Still the indomitable Irishry.
Under bare Ben Bulben's head
In Drumcliff churchyard Yeats is laid.
An ancestor was rector there
Long years ago, a church stands near,
By the road an ancient cross.
No marble, no conventional phrase;
On limestone quarried near the spot
By his command these words are cut:
Cast a cold eye
On life, on death.
Horseman, pass by!
Wednesday, November 25, 2009
Poem of the Day - To My Daughter Betty, The Gift of God
To My Daughter Betty, The Gift of God
by Thomas Michael Kettle
dated ‘In the field, before Guillemont, Somme, Sept. 4, 1916’
In wiser days, my darling rosebud, blown
To beauty proud as was your mother's prime,
In that desired, delayed, incredible time,
You'll ask why I abandoned you, my own,
And the dear heart that was your baby throne,
To dice with death. And oh! they'll give you rhyme
And reason: some will call the thing sublime,
And some decry it in a knowing tone.
So here, while the mad guns curse overhead,
And tired men sigh with mud for couch and floor,
Know that we fools, now with the foolish dead,
Died not for flag, nor King, nor Emperor,—
But for a dream, born in a herdsman's shed,
And for the secret Scripture of the poor.
More about Thomas Michael Kettle.
by Thomas Michael Kettle
dated ‘In the field, before Guillemont, Somme, Sept. 4, 1916’
In wiser days, my darling rosebud, blown
To beauty proud as was your mother's prime,
In that desired, delayed, incredible time,
You'll ask why I abandoned you, my own,
And the dear heart that was your baby throne,
To dice with death. And oh! they'll give you rhyme
And reason: some will call the thing sublime,
And some decry it in a knowing tone.
So here, while the mad guns curse overhead,
And tired men sigh with mud for couch and floor,
Know that we fools, now with the foolish dead,
Died not for flag, nor King, nor Emperor,—
But for a dream, born in a herdsman's shed,
And for the secret Scripture of the poor.
More about Thomas Michael Kettle.
Tuesday, November 24, 2009
Poem of the Day - Padraic O'Conaire Gaelic Storyteller
Padraic O'Conaire Gaelic Storyteller
by F.R. Higgins
They've paid the last respects in sad tobacco
And silent is this wakehouse in its haze;
They've paid the last respects; and now their whiskey
Flings laughing words on mouths of prayer and praise;
And so young couples huddle by the gables.
O let them grope home through the hedgy night -
Alone I'll mourn my old friend, while the cold dawn
Thins out the holy candlelight.
Respects are paid to one loved by the people;
Ah, was he not - among our mighty poor -
The sudden wealth cast on those pools of darkness,
Those bearing, just, a star's faint signature;
And so he was to me, close friend, near brother,
Dear Padraic of the wide and sea-cold eyes -
So, lovable, so courteous and noble,
The very west was in his soft replies.
They'll miss his heavy stick and stride in Wicklow -
His story-talking down Winetavern Street,
Where old men sitting inthe wizen daylight
Have kept an edge upon his gentle wit;
While women on the grassy streets of Galway,
Who hearken for his passing - but in vain,
Shall hardly tell his step as shadows vanish
Through archways of forgotten Spain.
Ah, they'll say, Padraic's gone again exploring;
But now down glens of brightness, O he'll find
An alehouse overflowing with wise Gaelic
That's braced in vigour by the bardic mind,
And there his thoughts shall find their own forefathers -
In minds to whom our heights of race belong,
in crafty men, who ribberd a ship or turned
The secret joinery of song.
Alas, death mars the parchment of his forehead;
And yet for him, I know, the earth is mild -
The windy fidgets of September grasses
Can never tease a mind that loved the wild;
So drink his peace - this grey juice of the barley
Runs with a light that ever pleased his eye -
While old flames nod and gossip on the hearthstone
And only the young winds cry.
More about F.R. Higgins.
by F.R. Higgins
They've paid the last respects in sad tobacco
And silent is this wakehouse in its haze;
They've paid the last respects; and now their whiskey
Flings laughing words on mouths of prayer and praise;
And so young couples huddle by the gables.
O let them grope home through the hedgy night -
Alone I'll mourn my old friend, while the cold dawn
Thins out the holy candlelight.
Respects are paid to one loved by the people;
Ah, was he not - among our mighty poor -
The sudden wealth cast on those pools of darkness,
Those bearing, just, a star's faint signature;
And so he was to me, close friend, near brother,
Dear Padraic of the wide and sea-cold eyes -
So, lovable, so courteous and noble,
The very west was in his soft replies.
They'll miss his heavy stick and stride in Wicklow -
His story-talking down Winetavern Street,
Where old men sitting inthe wizen daylight
Have kept an edge upon his gentle wit;
While women on the grassy streets of Galway,
Who hearken for his passing - but in vain,
Shall hardly tell his step as shadows vanish
Through archways of forgotten Spain.
Ah, they'll say, Padraic's gone again exploring;
But now down glens of brightness, O he'll find
An alehouse overflowing with wise Gaelic
That's braced in vigour by the bardic mind,
And there his thoughts shall find their own forefathers -
In minds to whom our heights of race belong,
in crafty men, who ribberd a ship or turned
The secret joinery of song.
Alas, death mars the parchment of his forehead;
And yet for him, I know, the earth is mild -
The windy fidgets of September grasses
Can never tease a mind that loved the wild;
So drink his peace - this grey juice of the barley
Runs with a light that ever pleased his eye -
While old flames nod and gossip on the hearthstone
And only the young winds cry.
More about F.R. Higgins.
Thursday, November 19, 2009
Poem of the Day - The Ballad Of Father Gilligan
The Ballad Of Father Gilligan
by William Butler Yeats
The old priest Peter Gilligan
Was weary night and day;
For half his flock were in their beds,
Or under green sods lay.
Once, while he nodded on a chair,
At the moth-hour of eve,
Another poor man sent for him,
And he began to grieve.
"I have no rest, nor joy, nor peace,
For people die and die';
And after cried he, "God forgive!
My body spake, not I!'
He knelt, and leaning on the chair
He prayed and fell asleep;
And the moth-hour went from the fields,
And stars began to peep.
They slowly into millions grew,
And leaves shook in the wind;
And God covered the world with shade,
And whispered to mankind.
Upon the time of sparrow-chirp
When the moths came once more.
The old priest Peter Gilligan
Stood upright on the floor.
"Mavrone, mavrone! the man has died
While I slept on the chair';
He roused his horse out of its sleep,
And rode with little care.
He rode now as he never rode,
By rocky lane and fen;
The sick man's wife opened the door:
"Father! you come again!"
"And is the poor man dead?' he cried.
"He died an hour ago.'
The old priest Peter Gilligan
In grief swayed to and fro.
"When you were gone, he turned and died
As merry as a bird.'
The old priest Peter Gilligan
He knelt him at that word.
"He Who hath made the night of stars
For souls who tire and bleed,
Sent one of His great angels down
To help me in my need.
"He Who is wrapped in purple robes,
With planets in His care,
Had pity on the least of things
Asleep upon a chair.'
by William Butler Yeats
The old priest Peter Gilligan
Was weary night and day;
For half his flock were in their beds,
Or under green sods lay.
Once, while he nodded on a chair,
At the moth-hour of eve,
Another poor man sent for him,
And he began to grieve.
"I have no rest, nor joy, nor peace,
For people die and die';
And after cried he, "God forgive!
My body spake, not I!'
He knelt, and leaning on the chair
He prayed and fell asleep;
And the moth-hour went from the fields,
And stars began to peep.
They slowly into millions grew,
And leaves shook in the wind;
And God covered the world with shade,
And whispered to mankind.
Upon the time of sparrow-chirp
When the moths came once more.
The old priest Peter Gilligan
Stood upright on the floor.
"Mavrone, mavrone! the man has died
While I slept on the chair';
He roused his horse out of its sleep,
And rode with little care.
He rode now as he never rode,
By rocky lane and fen;
The sick man's wife opened the door:
"Father! you come again!"
"And is the poor man dead?' he cried.
"He died an hour ago.'
The old priest Peter Gilligan
In grief swayed to and fro.
"When you were gone, he turned and died
As merry as a bird.'
The old priest Peter Gilligan
He knelt him at that word.
"He Who hath made the night of stars
For souls who tire and bleed,
Sent one of His great angels down
To help me in my need.
"He Who is wrapped in purple robes,
With planets in His care,
Had pity on the least of things
Asleep upon a chair.'
Monday, November 9, 2009
Poem of the Day - She Moved Through The Fair
She Moved Through The Fair
by Padraic Colum
My young love said to me,
My mother won't mind
And my father won't slight you
For your lack of kind"
And she stepped away from me
And this she did say:
It will not be long, love,
Till our wedding day"
As she stepped away from me
And she moved through the fair
And fondly I watched her
Move here and move there
And then she turned homeward
With one star awake
Like the swan in the evening
Moves over the lake
The people were saying,
No two e'er were wed
But one had a sorrow
That never was said
And I smiled as she passed
With her goods and her gear,
And that was the last
That I saw of my dear.
Last night she came to me,
My dead love came in
So softly she came
That her feet made no din
As she laid her hand on me
And this she did say
It will not be long, love,
'Til our wedding day
by Padraic Colum
My young love said to me,
My mother won't mind
And my father won't slight you
For your lack of kind"
And she stepped away from me
And this she did say:
It will not be long, love,
Till our wedding day"
As she stepped away from me
And she moved through the fair
And fondly I watched her
Move here and move there
And then she turned homeward
With one star awake
Like the swan in the evening
Moves over the lake
The people were saying,
No two e'er were wed
But one had a sorrow
That never was said
And I smiled as she passed
With her goods and her gear,
And that was the last
That I saw of my dear.
Last night she came to me,
My dead love came in
So softly she came
That her feet made no din
As she laid her hand on me
And this she did say
It will not be long, love,
'Til our wedding day
Friday, November 6, 2009
Poem of the Day - Ecce Puer
Ecce Puer
by James Joyce
Of the dark past
A child is born;
With joy and grief
My heart is torn.
Calm in his cradle
The living lies.
May love and mercy
Unclose his eyes!
Young life is breathed
On the glass;
The world that was not
Comes to pass.
A child is sleeping:
An old man gone.
O, father forsaken,
Forgive your son!
Note: This poem was written "on the occasion of his grandson's [Stephen's] birth and soon after his father's death." (Levin) The title in Latin means "lo! a boy."
More about James Joyce.
by James Joyce
Of the dark past
A child is born;
With joy and grief
My heart is torn.
Calm in his cradle
The living lies.
May love and mercy
Unclose his eyes!
Young life is breathed
On the glass;
The world that was not
Comes to pass.
A child is sleeping:
An old man gone.
O, father forsaken,
Forgive your son!
Note: This poem was written "on the occasion of his grandson's [Stephen's] birth and soon after his father's death." (Levin) The title in Latin means "lo! a boy."
More about James Joyce.
Sunday, October 18, 2009
Poem of the Day - Clearances
Clearances
In Memoriam M.K.H., 1911-1984
by Seamus Heaney
She taught me what her uncle once taught her:
How easily the biggest coal block split
If you got the grain and the hammer angled right.
The sound of that relaxed alluring blow
Its co-opted and obliterated echo,
Taught me to hit, taught me to loosen,
Taught me between the hammer and the block
To face the music. Teach me now to listen,
To strike it rich behind the linear black.
A cobble thrown a hundred years ago
Keeps coming at me, the first stone
Aimed at a great-grandmother's turncoat brow.
The pony jerks and the riot's on.
She's couched low in the trap
Running the gauntlet that first Sunday
Down the brae to Mass at a panicked gallop.
He whips on through the town to cries of 'Lundy!'
Call her 'The Convert.' 'The Exogamous Bride.'
Anyhow, it is a genre piece
Inherited on my mother's side
And mine to dispose with now she's gone.
Instead of silver and Victorian lace
the exonerating, exonerated stone.
Polished linoleum shone there. Brass taps shone.
The china cups were very white and big --
An unchipped set with sugar bowl and jug.
The kettle whistled. Sandwich and tea scone
Were present and correct. In case it run,
The butter must be kept out of the sun.
And don't be dropping crumbs. Don't tilt your chair.
Don't reach. Don't point. Don't make noise when you stir.
It is Number 5, New Row, Land of the Dead,
Where grandfather is rising from his place
With spectacles pushed back on a clean bald head
To welcome a bewildered homing daughter
Before she even knocks. 'What's this? What's this?'
And they sit down in the shining room together.
When all the others were away at Mass
I was all hers as we peeled potatoes.
They broke the silence, let fall one by one
Like solder weeping off the soldering iron:
Cold comforts set between us, things to share
Gleaming in a bucket of clean water.
And again let fall. Little pleasant splashes
From each other's work would bring us to our senses.
So while the parish priest at her bedside
Went hammer and tongs at prayers for the dying
And some were responding and some crying
I remembered her head bent towards my head,
Her breath in mine, our fluent dipping knives --
Never closer the whole rest of our lives.
Fear of affectation made her affect
Inadequacy whenever it came to
Pronouncing words 'beyond her'. Bertold Brek.
She'd manage something hampered and askew
Every time, as if she might betray
The hampered and inadequate by too
Well-adjusted a vocabulary.
With more challenge than pride, she'd tell me, 'You
Know all them things.' So I governed my tongue
In front of her, a genuinely well-
Adjusted adequate betrayal
Of what I knew better. I'd naw and aye
And decently relapse into the wrong
Grammar which kept us allied and at bay.
The cool that came off sheets just off the line
Made me think the damp must still be in them
But when I took my corners of the linen
And pulled against her, first straight down the hem
And then diagonally, then flapped and shook
The fabric like a sail in a cross-wind,
They'd make a dried-out undulating thwack.
So we'd stretch and fold and end up hand to hand
For a split second as if nothing had happened
For nothing had that had not always happened
Beforehand, day by day, just touch and go,
Coming close again by holding back
In moves where I was x and she was o
Inscribed in sheets she'd sewn from ripped-out flour sacks.
In the first flush of the Easter holidays
The ceremonies during Holy Week
Were highpoints of our Sons and Lovers phase.
The midnight fire. The paschal candlestick.
Elbow to elbow, glad to be kneeling next
To each other up there near the front
Of the packed church, we would follow the text
And rubrics for the blessing of the font.
As the hind longs for the streams, so my soul . . .
Dippings. Towellings. The water breathed on.
The water mixed with chrism and oil.
Cruet tinkle. Formal incensation
And the psalmist's outcry taken up with pride:
Day and night my tears have been my bread.
In the last minutes he said more to her
Almost than in their whole life together.
'You'll be in New Row on Monday night
And I'll come up for you and you'll be glad
When I walk in the door . . . Isn't that right?'
His head was bent down to her propped-up head.
She could not hear but we were overjoyed.
He called her good and girl. Then she was dead,
The searching for a pulsebeat was abandoned
And we all knew one thing by being there.
The space we stood around had been emptied
Into us to keep, it penetrated
Clearances that suddenly stood open.
High cries were felled and a pure change happened.
I thought of walking round and round a space
Utterly empty, utterly a source
Where the decked chestnut tree had lost its place
In our front hedge above the wallflowers.
The white chips jumped and jumped and skited high.
I heard the hatchet's differentiated
Accurate cut, the crack, the sigh
And collapse of what luxuriated
Through the shocked tips and wreckage of it all.
Deep-planted and long gone, my coeval
Chestnut from a jam jar in a hole,
Its heft and hush became a bright nowhere,
A soul ramifying and forever
Silent, beyond silence listened for.
In Memoriam M.K.H., 1911-1984
by Seamus Heaney
She taught me what her uncle once taught her:
How easily the biggest coal block split
If you got the grain and the hammer angled right.
The sound of that relaxed alluring blow
Its co-opted and obliterated echo,
Taught me to hit, taught me to loosen,
Taught me between the hammer and the block
To face the music. Teach me now to listen,
To strike it rich behind the linear black.
A cobble thrown a hundred years ago
Keeps coming at me, the first stone
Aimed at a great-grandmother's turncoat brow.
The pony jerks and the riot's on.
She's couched low in the trap
Running the gauntlet that first Sunday
Down the brae to Mass at a panicked gallop.
He whips on through the town to cries of 'Lundy!'
Call her 'The Convert.' 'The Exogamous Bride.'
Anyhow, it is a genre piece
Inherited on my mother's side
And mine to dispose with now she's gone.
Instead of silver and Victorian lace
the exonerating, exonerated stone.
Polished linoleum shone there. Brass taps shone.
The china cups were very white and big --
An unchipped set with sugar bowl and jug.
The kettle whistled. Sandwich and tea scone
Were present and correct. In case it run,
The butter must be kept out of the sun.
And don't be dropping crumbs. Don't tilt your chair.
Don't reach. Don't point. Don't make noise when you stir.
It is Number 5, New Row, Land of the Dead,
Where grandfather is rising from his place
With spectacles pushed back on a clean bald head
To welcome a bewildered homing daughter
Before she even knocks. 'What's this? What's this?'
And they sit down in the shining room together.
When all the others were away at Mass
I was all hers as we peeled potatoes.
They broke the silence, let fall one by one
Like solder weeping off the soldering iron:
Cold comforts set between us, things to share
Gleaming in a bucket of clean water.
And again let fall. Little pleasant splashes
From each other's work would bring us to our senses.
So while the parish priest at her bedside
Went hammer and tongs at prayers for the dying
And some were responding and some crying
I remembered her head bent towards my head,
Her breath in mine, our fluent dipping knives --
Never closer the whole rest of our lives.
Fear of affectation made her affect
Inadequacy whenever it came to
Pronouncing words 'beyond her'. Bertold Brek.
She'd manage something hampered and askew
Every time, as if she might betray
The hampered and inadequate by too
Well-adjusted a vocabulary.
With more challenge than pride, she'd tell me, 'You
Know all them things.' So I governed my tongue
In front of her, a genuinely well-
Adjusted adequate betrayal
Of what I knew better. I'd naw and aye
And decently relapse into the wrong
Grammar which kept us allied and at bay.
The cool that came off sheets just off the line
Made me think the damp must still be in them
But when I took my corners of the linen
And pulled against her, first straight down the hem
And then diagonally, then flapped and shook
The fabric like a sail in a cross-wind,
They'd make a dried-out undulating thwack.
So we'd stretch and fold and end up hand to hand
For a split second as if nothing had happened
For nothing had that had not always happened
Beforehand, day by day, just touch and go,
Coming close again by holding back
In moves where I was x and she was o
Inscribed in sheets she'd sewn from ripped-out flour sacks.
In the first flush of the Easter holidays
The ceremonies during Holy Week
Were highpoints of our Sons and Lovers phase.
The midnight fire. The paschal candlestick.
Elbow to elbow, glad to be kneeling next
To each other up there near the front
Of the packed church, we would follow the text
And rubrics for the blessing of the font.
As the hind longs for the streams, so my soul . . .
Dippings. Towellings. The water breathed on.
The water mixed with chrism and oil.
Cruet tinkle. Formal incensation
And the psalmist's outcry taken up with pride:
Day and night my tears have been my bread.
In the last minutes he said more to her
Almost than in their whole life together.
'You'll be in New Row on Monday night
And I'll come up for you and you'll be glad
When I walk in the door . . . Isn't that right?'
His head was bent down to her propped-up head.
She could not hear but we were overjoyed.
He called her good and girl. Then she was dead,
The searching for a pulsebeat was abandoned
And we all knew one thing by being there.
The space we stood around had been emptied
Into us to keep, it penetrated
Clearances that suddenly stood open.
High cries were felled and a pure change happened.
I thought of walking round and round a space
Utterly empty, utterly a source
Where the decked chestnut tree had lost its place
In our front hedge above the wallflowers.
The white chips jumped and jumped and skited high.
I heard the hatchet's differentiated
Accurate cut, the crack, the sigh
And collapse of what luxuriated
Through the shocked tips and wreckage of it all.
Deep-planted and long gone, my coeval
Chestnut from a jam jar in a hole,
Its heft and hush became a bright nowhere,
A soul ramifying and forever
Silent, beyond silence listened for.
Sunday, October 11, 2009
Friday, September 25, 2009
Poem of the Day - In Memory Of My Mother
In Memory Of My Mother
by Patrick Kavanagh
I do not think of you lying in the wet clay
Of a Monaghan graveyard; I see
You walking down a lane among the poplars
On your way to the station, or happily
Going to second Mass on a summer Sunday-
You meet me and you say:
'Don't forget to see about the cattle-'
Among your earthiest words the angels stray.
And I think of you walking along a headland
Of green oats in June,
So full of repose, so rich with life-
And I see us meeting at the end of a town
On a fair day by accident, after
The bargains are all made and we can walk
Together through the shops and stalls and markets
Free in the oriental streets of thought.
O you are not lying in the wet clay,
For it is harvest evening now and we
Are piling up the ricks against the moonlight
And you smile up at us - eternally.
by Patrick Kavanagh
I do not think of you lying in the wet clay
Of a Monaghan graveyard; I see
You walking down a lane among the poplars
On your way to the station, or happily
Going to second Mass on a summer Sunday-
You meet me and you say:
'Don't forget to see about the cattle-'
Among your earthiest words the angels stray.
And I think of you walking along a headland
Of green oats in June,
So full of repose, so rich with life-
And I see us meeting at the end of a town
On a fair day by accident, after
The bargains are all made and we can walk
Together through the shops and stalls and markets
Free in the oriental streets of thought.
O you are not lying in the wet clay,
For it is harvest evening now and we
Are piling up the ricks against the moonlight
And you smile up at us - eternally.
Wednesday, September 23, 2009
Nulli secundus
Richard Dawkins Quotes
"If we want to postulate a deity capable of engineering all the organized complexity in the world, either instantaneously or by guiding evolution, that deity must have been vastly complex in the first place. The creationist, whether a naive Bible-thumper or an educated bishop, simply postulates an already existing being of prodigious intelligence and complexity. If we are going to allow ourselves the luxury of postulating organized complexity without offering an explanation, we might as well make a job of it and simply postulate the existence of life as we know it!"
- The Blind Watchmaker, pg.451 (1986)
"The total amount of suffering per year in the natural world is beyond all decent contemplation. During the minute that it takes me to compose this sentence, thousands of animals are being eaten alive, many others are running for their lives, whimpering with fear, others are slowly being devoured from within by rasping parasites, thousands of all kinds are dying of starvation, thirst, and disease. It must be so. If there ever is a time of plenty, this very fact will automatically lead to an increase in the population until the natural state of starvation and misery is restored. In a universe of electrons and selfish genes, blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won't find any rhyme or reason in it, nor any justice. The universe that we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but pitiless indifference."
- "God's Utility Function," Scientific American, November, 1995, p. 85
"The feeling of awed wonder that science can give us is one of the highest experiences of which the human psyche is capable. It is a deep aesthetic passion to rank with the finest that music and poetry can deliver. It is truly one of the things that make life worth living and it does so, if anything, more effectively if it convinces us that the time we have for living is quite finite."
- Unweaving the Rainbow (1998), Preface
"We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Sahara. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this because the set of possible people allowed by our DNA so massively outnumbers the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here."
- Unweaving the Rainbow (1998)
- Dawkins has stated on many occasions that this passage will be read at his funeral.
"If we want to postulate a deity capable of engineering all the organized complexity in the world, either instantaneously or by guiding evolution, that deity must have been vastly complex in the first place. The creationist, whether a naive Bible-thumper or an educated bishop, simply postulates an already existing being of prodigious intelligence and complexity. If we are going to allow ourselves the luxury of postulating organized complexity without offering an explanation, we might as well make a job of it and simply postulate the existence of life as we know it!"
- The Blind Watchmaker, pg.451 (1986)
"The total amount of suffering per year in the natural world is beyond all decent contemplation. During the minute that it takes me to compose this sentence, thousands of animals are being eaten alive, many others are running for their lives, whimpering with fear, others are slowly being devoured from within by rasping parasites, thousands of all kinds are dying of starvation, thirst, and disease. It must be so. If there ever is a time of plenty, this very fact will automatically lead to an increase in the population until the natural state of starvation and misery is restored. In a universe of electrons and selfish genes, blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won't find any rhyme or reason in it, nor any justice. The universe that we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but pitiless indifference."
- "God's Utility Function," Scientific American, November, 1995, p. 85
"The feeling of awed wonder that science can give us is one of the highest experiences of which the human psyche is capable. It is a deep aesthetic passion to rank with the finest that music and poetry can deliver. It is truly one of the things that make life worth living and it does so, if anything, more effectively if it convinces us that the time we have for living is quite finite."
- Unweaving the Rainbow (1998), Preface
"We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Sahara. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this because the set of possible people allowed by our DNA so massively outnumbers the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here."
- Unweaving the Rainbow (1998)
- Dawkins has stated on many occasions that this passage will be read at his funeral.
Friday, September 18, 2009
Poem of the Day - Mid-Term Break
Mid-Term Break
by Seamus Heaney
I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o'clock our neighbours drove me home.
In the porch I met my father crying?
He had always taken funerals in his stride?
And Big Jim Evans saying it was a hard blow.
The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand
And tell me they were "sorry for my trouble",
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand
In hers and coughed out angry tearless sighs.
At ten o'clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.
Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,
Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.
A four foot box, a foot for every year.
About the Poem
Seamus Heaney wrote this poem as a reflection on the death of his infant brother, Christopher, who died in a car accident in 1953 when Heaney was fourteen.
"I wasn't there on the evening it happened, but I do have a clear picture of it in my mind. It was at the bus stop a little up the road from our lane. Christopher and my brother Hugh were on one side of the road, posting a letter on the bus for Belfast - it used to be you could hand a letter to the conductor and it would be mailed later that evening in the city; it saved a trip to the post office.
Anyhow, at that same moment, my brothers Pat and Dan were walking up the road on the other side, on an errand to fetch a gallon of paraffin oil from a house further along. As the bus moves off, Christopher - who is three and a half years old - sees the two boys on the other side and immediately starts across the road towards them. But while the bus is pulling away, a car is coming in the opposite direction, and Christopher runs out from behind the bus straight into the side of the car and is knocked down. The driver hadn't a chance.
What happens next I can hardly bear to think about: Hugh lifts him and holds him, bleeding and probably unconscious; then the man who is a passenger in the car comes and takes Christopher and carries him the thirty or forty yards to our lane, Hugh behind him, weeping al the time. My mother who is out at the clothes line, hears it and comes around to the street and sees what has happened. All in a few minutes.
He was taken to the mid-Ulster Hospital in Magherafelt and died a couple of hours later."
More about Seamus Heaney
by Seamus Heaney
I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o'clock our neighbours drove me home.
In the porch I met my father crying?
He had always taken funerals in his stride?
And Big Jim Evans saying it was a hard blow.
The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand
And tell me they were "sorry for my trouble",
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand
In hers and coughed out angry tearless sighs.
At ten o'clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.
Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,
Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.
A four foot box, a foot for every year.
About the Poem
Seamus Heaney wrote this poem as a reflection on the death of his infant brother, Christopher, who died in a car accident in 1953 when Heaney was fourteen.
"I wasn't there on the evening it happened, but I do have a clear picture of it in my mind. It was at the bus stop a little up the road from our lane. Christopher and my brother Hugh were on one side of the road, posting a letter on the bus for Belfast - it used to be you could hand a letter to the conductor and it would be mailed later that evening in the city; it saved a trip to the post office.
Anyhow, at that same moment, my brothers Pat and Dan were walking up the road on the other side, on an errand to fetch a gallon of paraffin oil from a house further along. As the bus moves off, Christopher - who is three and a half years old - sees the two boys on the other side and immediately starts across the road towards them. But while the bus is pulling away, a car is coming in the opposite direction, and Christopher runs out from behind the bus straight into the side of the car and is knocked down. The driver hadn't a chance.
What happens next I can hardly bear to think about: Hugh lifts him and holds him, bleeding and probably unconscious; then the man who is a passenger in the car comes and takes Christopher and carries him the thirty or forty yards to our lane, Hugh behind him, weeping al the time. My mother who is out at the clothes line, hears it and comes around to the street and sees what has happened. All in a few minutes.
He was taken to the mid-Ulster Hospital in Magherafelt and died a couple of hours later."
More about Seamus Heaney
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