Growing Old
by Matthew Arnold
What is it to grow old?
Is it to lose the glory of the form,
The lustre of the eye?
Is it for beauty to forego her wreath?
Yes, but not for this alone.
Is it to feel our strength—
Not our bloom only, but our strength—decay?
Is it to feel each limb
Grow stiffer, every function less exact,
Each nerve more weakly strung?
Yes, this, and more! but not,
Ah, 'tis not what in youth we dreamed 'twould be!
'Tis not to have our life
Mellowed and softened as with sunset-glow,
A golden day's decline!
'Tis not to see the world
As from a height, with rapt prophetic eyes,
And heart profoundly stirred;
And weep, and feel the fulness of the past,
The years that are no more!
It is to spend long days
And not once feel that we were ever young.
It is to add, immured
In the hot prison of the present, month
To month with weary pain.
It is to suffer this,
And feel but half, and feebly, what we feel:
Deep in our hidden heart
Festers the dull remembrance of a change,
But no emotion—none.
It is—last stage of all—
When we are frozen up within, and quite
The phantom of ourselves,
To hear the world applaud the hollow ghost
Which blamed the living man.
Thursday, March 8, 2012
Sunday, April 24, 2011
The Pleasures and Pains of Coffee
The Pleasures and Pains of Coffee
by Honore de Balzac
translated from the French by Robert Onopa
Coffee is a great power in my life; I have observed its effects on an epic scale. Coffee roasts your insides. Many people claim coffee inspires them, but, as everybody knows, coffee only makes boring people even more boring. Think about it: although more grocery stores in Paris are staying open until midnight, few writers are actually becoming more spiritual.
But as Brillat-Savarin has correctly observed, coffee sets the blood in motion and stimulates the muscles; it accelerates the digestive processes, chases away sleep, and gives us the capacity to engage a little longer in the exercise of our intellects. It is on this last point, in particular, that I want to add my personal experience to Brillat-Savarin's observations.
Coffee affects the diaphragm and the plexus of the stomach, from which it reaches the brain by barely perceptible radiations that escape complete analysis; that aside, we may surmise that our primary nervous flux conducts an electricity emitted by coffee when we drink it. Coffee's power changes over time. [Italian composer Gioacchino] Rossini has personally experienced some of these effects as, of course, have I. "Coffee," Rossini told me, "is an affair of fifteen or twenty days; just the right amount of time, fortunately, to write an opera." This is true. But the length of time during which one can enjoy the benefits of coffee can be extended.
For a while - for a week or two at most - you can obtain the right amount of stimulation with one, then two cups of coffee brewed from beans that have been crushed with gradually increasing force and infused with hot water.
For another week, by decreasing the amount of water used, by pulverizing the coffee even more finely, and by infusing the grounds with cold water, you can continue to obtain the same cerebral power.
When you have produced the finest grind with the least water possible, you double the dose by drinking two cups at a time; particularly vigorous constitutions can tolerate three cups. In this manner one can continue working for several more days.
Finally, I have discovered a horrible, rather brutal method that I recommend only to men of excessive vigor, men with thick black hair and skin covered with liver spots, men with big square hands and legs shaped like bowling pins. It is a question of using finely pulverized, dense coffee, cold and anhydrous, consumed on an empty stomach. This coffee falls into your stomach, a sack whose velvety interior is lined with tapestries of suckers and papillae. The coffee finds nothing else in the sack, and so it attacks these delicate and voluptuous linings; it acts like a food and demands digestive juices; it wrings and twists the stomach for these juices, appealing as a pythoness appeals to her god; it brutalizes these beautiful stomach linings as a wagon master abuses ponies; the plexus becomes inflamed; sparks shoot all the way up to the brain. From that moment on, everything becomes agitated. Ideas quick-march into motion like battalions of a grand army to its legendary fighting ground, and the battle rages. Memories charge in, bright flags on high; the cavalry of metaphor deploys with a magnificent gallop; the artillery of logic rushes up with clattering wagons and cartridges; on imagination's orders, sharpshooters sight and fire; forms and shapes and characters rear up; the paper is spread with ink - for the nightly labor begins and ends with torrents of this black water, as a battle opens and concludes with black powder.
I recommended this way of drinking coffee to a friend of mine, who absolutely wanted to finish a job promised for the next day: he thoughthe'd been poisoned and took to his bed, which he guarded like a married man. He was tall, blond, slender and had thinning hair; he apparently had a stomach of papier-mache. There has been, on my part, a failure of observation.
When you have reached the point of consuming this kind of coffee, then become exhausted and decide that you really must have more, even though you make it of the finest ingredients and take it perfectly fresh, you will fall into horrible sweats, suffer feebleness of the nerves, and undergo episodes of severe drowsiness. I don't know what would happen if you kept at it then: a sensible nature counselled me to stop at this point, seeing that immediate death was not otherwise my fate. To be restored, one must begin with recipes made with milk and chicken and other white meats: finally the tension on the harp strings eases, and one returns to the relaxed, meandering, simple-minded, and cryptogamous life of the retired bourgeoisie.
The state coffee puts one in when it is drunk on an empty stomach under these magisterial conditions produces a kind of animation that looks like anger: one's voice rises, one's gestures suggest unhealthy impatience: one wants everything to proceed with the speed of ideas; one becomes brusque, ill-tempered about nothing. One actually becomes that fickle character, The Poet, condemned by grocers and their like. One assumes that everyone is equally lucid. A man of spirit must therefore avoid going out in public. I discovered this singular state through a series of accidents that made me lose, without any effort, the ecstasy I had been feeling. Some friends, with whom I had gone out to the country, witnessed me arguing about everything, haranguing with monumental bad faith. The following day I recognized my wrongdoing and we searched the cause. My friends were wise men of the first rank, and we found the problem soon enough: coffee wanted its victim.
by Honore de Balzac
translated from the French by Robert Onopa
Coffee is a great power in my life; I have observed its effects on an epic scale. Coffee roasts your insides. Many people claim coffee inspires them, but, as everybody knows, coffee only makes boring people even more boring. Think about it: although more grocery stores in Paris are staying open until midnight, few writers are actually becoming more spiritual.
But as Brillat-Savarin has correctly observed, coffee sets the blood in motion and stimulates the muscles; it accelerates the digestive processes, chases away sleep, and gives us the capacity to engage a little longer in the exercise of our intellects. It is on this last point, in particular, that I want to add my personal experience to Brillat-Savarin's observations.
Coffee affects the diaphragm and the plexus of the stomach, from which it reaches the brain by barely perceptible radiations that escape complete analysis; that aside, we may surmise that our primary nervous flux conducts an electricity emitted by coffee when we drink it. Coffee's power changes over time. [Italian composer Gioacchino] Rossini has personally experienced some of these effects as, of course, have I. "Coffee," Rossini told me, "is an affair of fifteen or twenty days; just the right amount of time, fortunately, to write an opera." This is true. But the length of time during which one can enjoy the benefits of coffee can be extended.
For a while - for a week or two at most - you can obtain the right amount of stimulation with one, then two cups of coffee brewed from beans that have been crushed with gradually increasing force and infused with hot water.
For another week, by decreasing the amount of water used, by pulverizing the coffee even more finely, and by infusing the grounds with cold water, you can continue to obtain the same cerebral power.
When you have produced the finest grind with the least water possible, you double the dose by drinking two cups at a time; particularly vigorous constitutions can tolerate three cups. In this manner one can continue working for several more days.
Finally, I have discovered a horrible, rather brutal method that I recommend only to men of excessive vigor, men with thick black hair and skin covered with liver spots, men with big square hands and legs shaped like bowling pins. It is a question of using finely pulverized, dense coffee, cold and anhydrous, consumed on an empty stomach. This coffee falls into your stomach, a sack whose velvety interior is lined with tapestries of suckers and papillae. The coffee finds nothing else in the sack, and so it attacks these delicate and voluptuous linings; it acts like a food and demands digestive juices; it wrings and twists the stomach for these juices, appealing as a pythoness appeals to her god; it brutalizes these beautiful stomach linings as a wagon master abuses ponies; the plexus becomes inflamed; sparks shoot all the way up to the brain. From that moment on, everything becomes agitated. Ideas quick-march into motion like battalions of a grand army to its legendary fighting ground, and the battle rages. Memories charge in, bright flags on high; the cavalry of metaphor deploys with a magnificent gallop; the artillery of logic rushes up with clattering wagons and cartridges; on imagination's orders, sharpshooters sight and fire; forms and shapes and characters rear up; the paper is spread with ink - for the nightly labor begins and ends with torrents of this black water, as a battle opens and concludes with black powder.
I recommended this way of drinking coffee to a friend of mine, who absolutely wanted to finish a job promised for the next day: he thoughthe'd been poisoned and took to his bed, which he guarded like a married man. He was tall, blond, slender and had thinning hair; he apparently had a stomach of papier-mache. There has been, on my part, a failure of observation.
When you have reached the point of consuming this kind of coffee, then become exhausted and decide that you really must have more, even though you make it of the finest ingredients and take it perfectly fresh, you will fall into horrible sweats, suffer feebleness of the nerves, and undergo episodes of severe drowsiness. I don't know what would happen if you kept at it then: a sensible nature counselled me to stop at this point, seeing that immediate death was not otherwise my fate. To be restored, one must begin with recipes made with milk and chicken and other white meats: finally the tension on the harp strings eases, and one returns to the relaxed, meandering, simple-minded, and cryptogamous life of the retired bourgeoisie.
The state coffee puts one in when it is drunk on an empty stomach under these magisterial conditions produces a kind of animation that looks like anger: one's voice rises, one's gestures suggest unhealthy impatience: one wants everything to proceed with the speed of ideas; one becomes brusque, ill-tempered about nothing. One actually becomes that fickle character, The Poet, condemned by grocers and their like. One assumes that everyone is equally lucid. A man of spirit must therefore avoid going out in public. I discovered this singular state through a series of accidents that made me lose, without any effort, the ecstasy I had been feeling. Some friends, with whom I had gone out to the country, witnessed me arguing about everything, haranguing with monumental bad faith. The following day I recognized my wrongdoing and we searched the cause. My friends were wise men of the first rank, and we found the problem soon enough: coffee wanted its victim.
Saturday, April 16, 2011
Think of the Unsatisfied Ones
Think of the Unsatisfied Ones
By Gottfried Benn
When despair—
you who enjoyed great triumphs
and walked with confidence and the memory
of many gifts of delirium and dawns
and unexpected
turns—
when despair wants you in its grip,
and threatens you from some unfathomable depth
with destruction
and the guttering out of your flame:
then think of the unsatisfied ones,
with their migraine-prone temples and introverted dispositions,
loyal to a few memories
that held out little hope,
who still bought flowers,
and with a smile of not much luminosity
confided secret desires
to their small-scale heavens
that were soon to be extinguished.
By Gottfried Benn
When despair—
you who enjoyed great triumphs
and walked with confidence and the memory
of many gifts of delirium and dawns
and unexpected
turns—
when despair wants you in its grip,
and threatens you from some unfathomable depth
with destruction
and the guttering out of your flame:
then think of the unsatisfied ones,
with their migraine-prone temples and introverted dispositions,
loyal to a few memories
that held out little hope,
who still bought flowers,
and with a smile of not much luminosity
confided secret desires
to their small-scale heavens
that were soon to be extinguished.
Sunday, January 23, 2011
Daguerreotype Taken in Old Age
Daguerreotype Taken in Old Age
Margaret Atwood
I know I change
have changed
but whose is this vapid face
pitted and vast, rotund
suspended in empty paper
as though in a telescope
the granular moon
I rise from my chair
pulling against gravity
I turn away
and go out into the garden
I revolve among the vegetables,
my head ponderous
reflecting the sun
in shadows from the pocked ravines
cut in my cheeks, my eye-
sockets 2 craters
among the paths
I orbit
the apple trees
white white spinning
stars around me
I am being
eaten away by light
Margaret Atwood
I know I change
have changed
but whose is this vapid face
pitted and vast, rotund
suspended in empty paper
as though in a telescope
the granular moon
I rise from my chair
pulling against gravity
I turn away
and go out into the garden
I revolve among the vegetables,
my head ponderous
reflecting the sun
in shadows from the pocked ravines
cut in my cheeks, my eye-
sockets 2 craters
among the paths
I orbit
the apple trees
white white spinning
stars around me
I am being
eaten away by light
Sunday, December 19, 2010
Forever Alone
Forever Alone
by G. W. Mainhood
I understand what true pain is.
Waking up without a soul;
Existing forever, but always alone.
I know where sorrow is born.
In icy depths of man's empty heart;
His spirit of love to tear apart.
I see misery in every face.
Knowing no mercy, nor joy, nor peace;
Only death can bring them ease.
I hear loathing in every word.
Every breath a burning pain;
Lies, deceit, and wraths disdain.
I feel hate inside mankind.
Rotting filth, disease, decay;
In their defence, nothing to say.
I taste the rotting flesh of sin.
Toxic putrescence, bitter and vile;
Evil by nature, the mind of a child.
I am the truth in all that you feel.
My humanity stolen, compassion is gone;
I am that which you know is wrong.
I am in misery and darkness complete.
Knowing no other than that of my soul;
Destined for solitude, I am always alone.
by G. W. Mainhood
I understand what true pain is.
Waking up without a soul;
Existing forever, but always alone.
I know where sorrow is born.
In icy depths of man's empty heart;
His spirit of love to tear apart.
I see misery in every face.
Knowing no mercy, nor joy, nor peace;
Only death can bring them ease.
I hear loathing in every word.
Every breath a burning pain;
Lies, deceit, and wraths disdain.
I feel hate inside mankind.
Rotting filth, disease, decay;
In their defence, nothing to say.
I taste the rotting flesh of sin.
Toxic putrescence, bitter and vile;
Evil by nature, the mind of a child.
I am the truth in all that you feel.
My humanity stolen, compassion is gone;
I am that which you know is wrong.
I am in misery and darkness complete.
Knowing no other than that of my soul;
Destined for solitude, I am always alone.
Tuesday, August 17, 2010
Love One Another
Love One Another
by Khalil Gibran
Love one another, but make not a bond of love.
Let it rather be a moving sea between the shores of your souls.
Fill each other's cup, but drink not from one cup.
Give one another of your bread, but eat not from the same loaf.
Sing and dance together and be joyous, but let each one of you be alone.
Even as the strings of a lute are alone though they quiver with the same music.
Give your hearts, but not into each other's keeping.
For only the hand of life can contain your hearts.
And stand together, yet not too near together.
For the pillars of the temple stand apart.
And the oak tree and the cypress grow not in each other's shadow.
by Khalil Gibran
Love one another, but make not a bond of love.
Let it rather be a moving sea between the shores of your souls.
Fill each other's cup, but drink not from one cup.
Give one another of your bread, but eat not from the same loaf.
Sing and dance together and be joyous, but let each one of you be alone.
Even as the strings of a lute are alone though they quiver with the same music.
Give your hearts, but not into each other's keeping.
For only the hand of life can contain your hearts.
And stand together, yet not too near together.
For the pillars of the temple stand apart.
And the oak tree and the cypress grow not in each other's shadow.
Thursday, July 15, 2010
Saturday, July 3, 2010
In Defence of the Novel
In Defence of the Novel
by George Orwell
It hardly needs pointing out that at this moment the prestige of the novel is extremely low, so low that the words ‘I never read novels’, which even a dozen years ago were generally uttered with a hint of apology, are now always uttered in a tone of conscious pride. It is true that there are still a few contemporary or roughly contemporary novelists whom the intelligentsia considers it permissible to read; but the point is that the ordinary good-bad novel is habitually ignored while the ordinary good-bad books of verse or criticism is still taken seriously. This means that if you write novels you automatically command a less intelligent public than you would command if you had chosen some other form. There are two quite obvious reasons why this must presently make it impossible for good novels to be written. Even now the novel is visibly deteriorating, and it would deteriorate much faster if most novelists had any idea who reads their books. It is, of course, easy to argue (vide for instance Belloc's queerly rancorous essay) that the novel is a contemptible form of art and that its fate does not matter. I doubt whether that opinion is even worth disputing. At any rate, I am taking it for granted that the novel is worth salvaging and that in order to salvage it you have got to persuade intelligent people to take it seriously. It is there fore worth while to analyze one of the many causes — in my opinion, the main cause — of the novel's lapse in prestige.
The trouble is that the novel is being shouted out of existence. Question any thinking person as to why he ‘never reads novels’, and you will usually find that, at bottom, it is because of the disgusting tripe that is written by the blurb-reviewers. There is no need to multiply examples. Here is just one specimen, from last week's Sunday Times: ‘If you can read this book and not shriek with delight, your soul is dead.’ That or something like it is now being written about every novel published, as you can see by studying the quotes on the blurbs. For anyone who takes the Sunday Times seriously, life must be one long struggle to catch up. Novels are being shot at you at the rate of fifteen a day, and every one of them an unforgettable masterpiece which you imperil your soul by missing. It must make it so difficult to choose a book at the library, and you must feel so guilty when you fail to shriek with delight. Actually, however, no one who matters is deceived by this kind of thing, and the contempt into which novel reviewing has fallen is extended to novels themselves. When all novels are thrust upon you as words of genius, it is quite natural to assume that all of them are tripe. Within the literary intelligentsia this assumption is now taken for granted. To admit that you like novels is nowadays almost equivalent to admitting that you have a hankering after coconut ice or prefer Rupert Brooke to Gerard Manley Hopkins.
All this is obvious. What I think is rather less obvious is the way in which the present situation has arisen. On the face of it, the book-ramp is a quite simple and cynical swindle. Z writes a book which is published by Y and reviewed by X in the Weekly W. If the review is a bad one Y will remove his advertisement, so X has to hand out ‘unforgettable masterpiece’ or get the sack. Essentially that is the position, and novel reviewing has sunk to its present depth largely because every reviewer has some publisher of publishers twisting his tail by proxy. But the thing is not so crude as it looks. The various parties to the swindle are not consciously acting together, and they have been forced into their present position partly against their will.
by George Orwell
It hardly needs pointing out that at this moment the prestige of the novel is extremely low, so low that the words ‘I never read novels’, which even a dozen years ago were generally uttered with a hint of apology, are now always uttered in a tone of conscious pride. It is true that there are still a few contemporary or roughly contemporary novelists whom the intelligentsia considers it permissible to read; but the point is that the ordinary good-bad novel is habitually ignored while the ordinary good-bad books of verse or criticism is still taken seriously. This means that if you write novels you automatically command a less intelligent public than you would command if you had chosen some other form. There are two quite obvious reasons why this must presently make it impossible for good novels to be written. Even now the novel is visibly deteriorating, and it would deteriorate much faster if most novelists had any idea who reads their books. It is, of course, easy to argue (vide for instance Belloc's queerly rancorous essay) that the novel is a contemptible form of art and that its fate does not matter. I doubt whether that opinion is even worth disputing. At any rate, I am taking it for granted that the novel is worth salvaging and that in order to salvage it you have got to persuade intelligent people to take it seriously. It is there fore worth while to analyze one of the many causes — in my opinion, the main cause — of the novel's lapse in prestige.
The trouble is that the novel is being shouted out of existence. Question any thinking person as to why he ‘never reads novels’, and you will usually find that, at bottom, it is because of the disgusting tripe that is written by the blurb-reviewers. There is no need to multiply examples. Here is just one specimen, from last week's Sunday Times: ‘If you can read this book and not shriek with delight, your soul is dead.’ That or something like it is now being written about every novel published, as you can see by studying the quotes on the blurbs. For anyone who takes the Sunday Times seriously, life must be one long struggle to catch up. Novels are being shot at you at the rate of fifteen a day, and every one of them an unforgettable masterpiece which you imperil your soul by missing. It must make it so difficult to choose a book at the library, and you must feel so guilty when you fail to shriek with delight. Actually, however, no one who matters is deceived by this kind of thing, and the contempt into which novel reviewing has fallen is extended to novels themselves. When all novels are thrust upon you as words of genius, it is quite natural to assume that all of them are tripe. Within the literary intelligentsia this assumption is now taken for granted. To admit that you like novels is nowadays almost equivalent to admitting that you have a hankering after coconut ice or prefer Rupert Brooke to Gerard Manley Hopkins.
All this is obvious. What I think is rather less obvious is the way in which the present situation has arisen. On the face of it, the book-ramp is a quite simple and cynical swindle. Z writes a book which is published by Y and reviewed by X in the Weekly W. If the review is a bad one Y will remove his advertisement, so X has to hand out ‘unforgettable masterpiece’ or get the sack. Essentially that is the position, and novel reviewing has sunk to its present depth largely because every reviewer has some publisher of publishers twisting his tail by proxy. But the thing is not so crude as it looks. The various parties to the swindle are not consciously acting together, and they have been forced into their present position partly against their will.
Sunday, June 20, 2010
Solitude
Solitude
By Ella Wheeler Wilcox
Laugh, and the world laughs with you;
Weep, and you weep alone.
For the sad old earth must borrow it's mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.
Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life's gall.
Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a long and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.
By Ella Wheeler Wilcox
Laugh, and the world laughs with you;
Weep, and you weep alone.
For the sad old earth must borrow it's mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.
Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life's gall.
Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a long and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.
Tuesday, June 15, 2010
Bob Marley
"Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life."
— Bob Marley
— Bob Marley
Subscribe to:
Posts (Atom)









